浏览人次: 30064

工业产品设计学系/硕士班

网址: http://scid.usc.edu.tw(另开新视窗)
Email:scid@g2.usc.edu.tw
电话:(02)25381111转7511、7011 传真:(02)25381111转7523、(02)25323832

系所简史

本学系创立于1992年,1998年因应设计趋势演变以及产业发展需求,设立研究所硕士班,1999年增设研究所硕士在职进修专班;系所课程规划与人才养成朝向「专业学习、国际视野、实务导向」三大目标努力,而硕士班与硕士在职进修专班更强调「实务与理论并重、跨领域课题研究」作为教学特色,并在2009年九月被美国商业周刊(Business Week)评选为全球三十所最佳设计课程(The World’s Best Design Programs, TOP 30)之一。课程规画除了设计知识的学习外,更强调创作性的操作体验;透过对人文、社会与科技工程等相关知识理解、自我反省与跨域批判,使学生在创作验证中,领会工业设计的多层次内涵与多面向的价值诉求,从而发展其具有独特性的创作理念、方法与能力。
学系创立以来,为了具体落实上述理念,更鼓励同学透过设计竞赛与展演,以增进国内外专业之交流与观摩,其成果摘记如下。

教学特色

竞赛成果:共获奖1000馀项,其中,国际获奖逾400项。
例如,1994年SONY学生国际设计创意竞赛首奖;1996年美国国际回收资源设计竞赛优良设计奖;1996年澳洲雪梨电脑展最佳产品设计奖;1997、1998年意大利They will be famous家具设计竞赛两届首奖;1997年日本Koizumi国际学生照明设计竞赛佳作奖;1997年美国ID Magazine Annual Review杰出设计奖;1997、2001及2002年分获意大利SMAU国际青年创意设计竞赛首奖与优选奖;1999年日本Sakai刀具设计竞赛第三名;1999、2001年韩国LG家电国际设计竞赛优良设计奖、优等奖与佳作奖; 2001年日本大坂国际设计竞赛铜奖;2001年日本OPUS Design Award评审特别奖;2003年德国iF concept award类别优选;2004年通讯大赛Mobile Heroes-Play Design组第一名;2006年日本无印良品MUJI Award银奖;1998、2000及2008年分获日本NAGOYA DESIGN DO!佳作、银赏奖与金赏奖;2007、2011年分获美国IDEA, Industrial Design Excellence Award铜奖与银奖;2008、2009、2010、2011~2015年iF concept award Top 100;2007、2010、2012与2017年德国red dot award:design concept类别best of the best奖及红点设计奖;2013及2014年YDC Award金奖、银奖、铜奖及优胜奖;2014年及2016年FRANZ AWARD铜奖;2015年Poltrona Frau Award冠军;2017年Platinum A’ Design Award意大利A’设计奖白金首奖、2018年World Sneaker Championship世界运动鞋设计
大赛第四名、2008~2010、2013、2015~2016、2018年IBDC全球自行车设计比赛。。

展演/报导:
共举办国际展演36次,如1997年应日本名古屋国际设计中心邀请,参与'Design: The Next Generation'国际邀请展;1998年应法国St Etienne市政府邀请,参与国际设计双年展;1995年(台北)、1999年(雪梨)、2001年(首尔)及2003年(汉诺威)参与ICSID之年会与国际设计展;2000年意大利Interni杂志以专题报导本系,同年受邀于三项国际展中展出:新加坡国际设计展、意大利Verona市Abitare il Tempo国际室内与家饰设计展和法国St Etienne国际设计双年展;2000、2001年两度于德国汉诺威CeBIT Show中展出产学合作成果,并被收入美国Universe出版社所出版On/Off: New Electronic Products一书作为设计范例发表;2001年受邀参与北京清华大学设计教育成果展,并于中国巡回展出;2002年分别参与北京科技大学「设计与文化主题夏令营暨展览」、湖南「全国工业设计教育展」及山东「第一届中国青岛国际设计节」展览;2003年系所之教研成果又获日本Dream Design Magazine 专文报导。2004年日本东京设计周(Tokyo Designers’ Week)、2005年米兰国际家具展 8th Salone Satellite、2007年米兰国际家具展特展That's Design - Zona Tortona及2008年德国莱茵设计节Rhein Design Festival,四项皆为台湾唯一获邀参展学校,并受到JIDA hotline news(日本)、 Desktop(澳洲)与Business Week(美国)等国际媒体报导 ;2007年于法国巴黎Mason and Objet展出产学合作成果; 2009年日本大坂艺术大学专题邀请展;2010年日本京都精华大学国际设计展-于京都有型文化财产「新风馆」展出作品40件,同年荷兰items杂志亦以专题方式报导本系教研成果,2011年受邀到大坂中之岛设计美术馆展出,同年十月在台北举办的第一届世界设计大会(IDA, International Design Alliance)中盛大展出教研成果,2013~2014年连续受邀赴西班牙马德里参加首届马德里产品设计展(Product Design Madrid),2015受邀于新加坡国际家具展(International Furniture Fair & ASEAN Furniture Show),2016年受邀于巴黎设计师周(D'Days)展出,2013~2018年Cross-Strait Cultural Industries Fair - Xiamen展出。
另外,本学系为了拓展学习视野并增进实务历练,也与国内外多所知名企业推动各项产学合作计画,例如:宏碁、明基、灿坤、力捷、声宝、东元、三阳、微星、远传、Motorola、法国Alcatel巴黎总部、EPSON、昆盈、欧德、鸿海、和成...等;并安排同学至企业及设计公司进行实务学习,例如:飞利浦、明基、宏碁、灿坤、浩汉、世讯、GE/FITCH、BOD Design;微星...等;并选送同学赴国外知名设计组织进行专业实习,如德国红点设计奖、美国孩之宝、日本Intentionallies、日本GRAF、奥地利Eoos Design、德国Pilotfish、日本爱普生、德国Syntax Design、新加坡Design Sojourn等。

教学目标-课程规划

1.专业学习

以院核心课程(计14学分)与学系必修课程(计56学分)为基础,强调设计知识的学习与创作性的操作体验,同时透过对人文、社会与科技工程等相关知识的理解、跨领域反省与自我批判,针对工业设计的专业素养与能力进行重点教学,使学生在创作验证中,领会工业设计的多层次内涵与多面向的价值诉求,从而发展其具有独特性的创作理念、方法与能力;同时,亦透过各项创作与展演活动,以求拓展并深化师生对设计的共同学习。大学部课程的专业学习目标,着重于创作方法、数码模拟操作与设计表现的训练,而硕士班则强调设计实务与相关理论的整合应用。

2.国际视野

相对于国际设计思潮的流变与整合,设计教育必须积极建置多种国际设计的交流管道;透过举办国际工作营、参与国际展演、鼓励参加国际竞赛与国际研习活动等,培养对于国际上创意议题、人文价值、科技发展与产业趋势的认识与理解,以提升师生的国际视野,培养具有国际观的设计人才。

3.实务导向

透过课程规划、产学合作与业界实习进行互动学习,据此提供了学生更具实务性的学习机会,并且基于理论与实务并行检视的理念,在课程规划上,特别重视课程中师资与产业合作的多元特质,使学生能同时接触不同的创作主张与差异化的方法技能,使创作思维能由点的思考(产品设计),跨向面的了解(制造、品牌、设计、行销),期使学系发展能适切地回应产业期待与社会需求。

另一方面,学系硕士班与硕士在职专班更针对以上目标,发展出「实务与理论并重、跨领域课题研究」两项教学与研究特色,可做说明如下:

1.实务与理论并重

在课程规划上,强调从实作中进行理论思维与生活现象的整合性探索,据此对应于急遽转变的社会与产业脉动,可培养设计者的弹性应变能力,使其成为产业所需之多元取向人才,而透过课程与师资的更替组合,拓展出各学域思考的纵深以及激发学域之间的整合作用;并透过理论趋势与实务发展的理解和反省,从而提出理论或创作研究。

2.跨领域课题研究

硕士班招生对象除了具备工业设计背景者外,亦扩及其他不同专业领域,故强调跨领域互动融合;故在硕士班研究课题的展开上,透过异专业选修课程的开设,让异领域的专业知识得以成为设计研究思考的助力,期使设计研究能朝向多元、开放的跨域整合,使其学习发展与专业素养能获得互动融合的机转效益。

工业产品设计研究所成立于87学年度(硕士在职进修专班88年),至93学年度止,系所以专业协同配合,但未采合一,各设主任、所长。94学年度更名产品与建筑设计研究所,期以促成产品与建筑之互动发展而有助于异专业媒合。至96学年度建筑设计学系硕士班获准成立招生,产品与建筑设计研究所乃更名回工业产品设计学系硕士班,至此,工设与建筑分采系所合一。硕士班招生对象除了具备工业设计背景者外,亦扩及其他不同专业领域,故强调跨领域互动融合;大学部课程的专业化目标,着重于创作方法、数码模拟操作与设计表现的训练,而硕士班则强调设计实务与相关理论的整合应用。

在上述教育目标及教研特色下,凡进入本系所就读的同学,未来的生涯规划可概分三个方向:

‧依照个人志向与兴趣,进入企业内的设计部门、设计顾问公司或自行创业;从事各类型之产品设计,或设计相关的产品企划、设计行销工作;

‧可以选择在大学、高中、职业学校或设计相关机构,从事设计教学及辅导推广工作;

‧可以选择进入国内外设计或相关领域研究所继续深造。

师资阵容

本系现有专任教师10名,其中包括教授2名、副教授5名、助理教授3名

姓名

职称

最高学历

专长

林晓瑛

副教授兼系所主任

澳洲Swinburne University of Technology设计硕士

工业设计、设计创作

官政能

荣誉讲座教授

美国纽约Pratt Institute工业设计硕士

设计学、新产品设计与开发、设计策略与管理

王则众

教授

国立中央大学工学院机械工程学系博士

非传统加工、材料工程、电脑辅助设计与制造、制程最佳化设计、创意设计

丑宛茹

副教授兼设计学院院长

奥地利维也纳应用艺术大学艺术硕士

产品设计、色彩理论与应用、设计诠释

朱旭建

副教授

美国纽约Pratt Institute工业设计硕士

工业设计、市场美学、设计教育

卢祯慧

副教授

美国普渡大学心理系博士

认知心理学、人因工程心理学、设计心理学

郑陆霖

副教授

      美国杜克大学博士

社会设计策略、社会学研究

林柏涵

助理教授

美国旧金山艺术学院艺术硕士

沟通设计、界面设计、经验设计

黄鼎亿

助理教授

意大利Carrara卡拉拉艺术学院雕塑系硕士

石雕创作、塑造、素描

何信坤

助理教授

实践大学工业产品设计学系硕士

工业设计、产品设计与开发

积极延聘国外教授

本学系硕士班招生对象除了具备工业设计背景者外,亦扩及其他不同专业领域,以培养当前企业所需之多元取向人才;为配合此转型设想,亦积极聘请国内外专家学者参与授课,其领域涵盖哲学、社会学、心理学、企管、传播、电影、舞台以及相关设计专业。历年来延聘国外教授及设计专家指导工作营50馀场,包括:日本设计大师喜多俊之教授、丹麦Design Nord负责人Mr. Frederick Rickmann、德国科隆应用科技大学国际设计学院(KISD)Prof. Michael Erlhoff与Prof. Uta Brandes、以色列Prof. Ron Nabarro、德国KISD Prof. P. Heidkamp:2005年共同执行国科会计画,举办两场跨国设计工作营(科隆德国/台北台湾)、奥地利EOOS设计公司Harald Gruendl 博士、德国iF Award评审团主席Fritz Frenkler、日本武藏野美术大学校长长泽忠德教授及今泉洋教授、新加坡国立大学设计学院院长Prof. Axel Thalleme、日本设计师郑秀和(Shuwa Tei)及日本F.O.B.A.负责人梅林克(Katsu Umebayashi)建筑师、美国Parsons设计学院Prof. Joel Towers及美国Founder of Future Partners 设计学院John David Bielenberg、德国KISD Prof. Jens-Peter Grosshans、美国Gordon Bruce Design创办人Prof. Gordon P. Bruce、日本京都精华大学副校长叶山勉教授及京都AURA Inc. Co总裁野野村道信、FROG Design创办人Prof. Hartmut Esslinger、美国俄亥俄州立大学终身荣誉教授Prof. Reinhart Butter、德国/荷兰Pilotfish设计公司两位创办人Marc Nagel及Harm Hogenbirk、伦敦a studio创办人安积伸、荷兰KVD Reframing创办人Prof. Matthijs van Dijk、德国University of Wuppertal工业设计学系主任Prof. Gert Trauernicht、英国Central St. Martins Prof. Nicholas Rhodes、日本灯光设计师冈安泉教授、德国Fachhochschule Wurzburg—Schweinfurt, University of Applied Sciences Prof. Ulrich Braun、 Prof. Erich Schoels及Henning Rogge-Pott、德国KISD Prof. Wolfgang Laubersheimer及新加坡Design Sojourn创办人Prof. Brian Ling、英国Prof.Ralph Ball、Visiting Lecturer, College of Design, Hong Kong PolyU Prof.Marko Stanojević、日本KAIRI EGUCHI DESIGN设计公司创办人Kairi Eguchi江口海里、香港Feel Good Limited创意总监/Milk Design limited创办人Lee Chi Wing利志荣、中国DKA studio +创办人暨总监Daniel Koo顾明德…等。

1999年,于澳洲雪梨第21届国际工业设计社团协会(ICSID, International Council of Societies of Industrial Design)年会,经会员大会审核通过,实践大学工业产品设计学系正式成为教育类会员;期望能借此常规性、定期性的活动参与管道,增进会员社团间的专业砥砺和观摩学习。

为因应快速的时代变迁,俾使课程能呼应社会脉动与产业需求,本学系持续进行课程改善,并积极延揽具有多样整合可能的师资阵容。毕竟,教育是一种既严肃又快乐的百年大业,创系逾二十年,只能算是一个起步,期望各方先进及同好,能与我们相互切磋,共襄盛举。
 

校友发展

本系之毕业生可依志向,从事产品设计、家具设计、识别系统设计、包装设计、视觉设计、展示设计、多媒体设计…等专业设计工作。多数毕业生担任业界设计师或成立设计公司及个人工作室,部分亦受聘回母校授课,其任职公司如:宏碁、明基、华硕、宏达电子、仁宝、光宝科技、神达电脑、浩鑫电脑、唯新科技、威刚科技、普立尔科技、英业达、技嘉科技、鸿海富士康、大同、声宝、普立尔、灿坤、瀚宇彩晶、致伸、上海联想移动、MOTOROLA、Philips Design、三阳机车、光阳机车、中华汽车、福特汽车、太子汽车、NOVA DESIGN、皓宇设计、冠廷设计、卓岳设计、世讯科技、三大设计、多艺设计、IND DESIGN、设计、西屹设计、叶朵设计BOD Design;微星...等;并选送同学赴国外设计公司进行专业实习。

毕业生之表现,受到业界正面回馈与肯定;毕业生除任职于产业能贡献所学外,同时维持创作发表的习惯,主动参与各项设计活动,借产业实务与设计展演累积创作能量,以对社会做出个人的设计贡献。

The Department of Industrial Design was founded in 1992; under the trend and demands of the industry, the Master Program and the On-job Training Program of the graduate institute were founded respectively in 1998 and 1999. The under-graduate program aims for emphasis on professional discipline development, global perspective oriented and strong ties to industry whereas 'the combination of theories and practices” and “the interdisciplinary studies across multiple fields' are focuses of the graduate programs. In September 2009, Business Week Magazine reviewed the curricula of S.C.I.D. as one of the TOP 30 World’s Best Design Programs through an international panel judgment. The curricula designs are both concentrated on the learning and accumulation of design-related knowledge and the creativity generated through first-hand experiments and practices. The comprehensions, reflections, and judgments derived from discussions on humanity, society and technology also foster students' ability in understanding industrial design in itself as a two-fold activity with multi-layers inner framework and multi-facets outward appeals. It is under these conditions that each and every student will be able to develop his/her unique approach toward rationales, methods, and ability in the process of designing.
 
In order to materialize the above beliefs, broaden students’ exposures to the outside world, and expedite the exchange of thoughts and information from people of other cultures, the S.C.I.D. has been encouraging students to take part in national and international competitions or exhibitions from the beginning; just to name a few as listed below:
Students’ achievements in national and international design competitions proved the hard work by the faculty and the students. S.C.I.D. has won over 1000 design awards including over 400 international ones. Awards like the first place of 'Sony, the International Idea; Honorable Mentions of Osaka Design Competition', Japan 1995 and 2001; the Best Design of the 'International Eco Design Competition', USA 1996; First Prize & Honorable Mentions of 'They Will Be Famous Furniture Design Competition', Italy 1996 & 1997; Honorable Mentions of 'International Koizumi Design Competition', Japan 1997; Design Distinction Award of 'International Design Magazine Annual Review', USA 1997; the Targa Bonetto Award of 'SMAU Information & Communications Technology Design Award', Italy 1997; Third place of 'Sakai Design Competition', Japan 1999; Silver Prize of the 'Nagoya Design Competition', Japan 2000; Honorable Mentions of 'International Travel Stationeries Competition', Netherlands 2000; Award of Excellence of the '2001 LG Electronics Design Competition', Korea; the Special Prize of 'OPUS Design Award', Japan 2001; iF concept award , 2003; First Prize, Third Prize and Honorable Mention of '2004 Communication Design Competition - Play Design', Silver Prize of the '1st MUJI Award International Design Competition', Japan 2006; Bronze Prize of the ' Industrial Design Excellence Award', USA 2007; Best of the best of the ' red dot: design concept 2007'; iF concept award 2008~2015 ;NAGOYA DESIGN DO! Gold Prize 2008; Silver Prize of the ' Industrial Design Excellence Award', USA 2011; iF concept award, 2007~2017; Best of the Best of the ' red dot award : design concept' ,2010/2012,and lots of international awards in recent years.
 
In 1997, the department was invited to take part in the international exhibition 'Design: The Next Generation' held by International Design Center Nagoya, Japan. In 1998 and 2000, S.C.I.D. was invited by Saint Etienne Biannual Festival of Design, France. In addition, S.C.I.D. took part in the international design exhibition and conference in ICSID 1999 in Sydney, 2001 in Seoul and 2003 in Hanover. In August 2000, the design by S.C.I.D. was reported on 'Interni', a leading design magazine in Italy. At the same year, S.C.I.D. was invited to join three international exhibitions: International Design forum, Singapore; Arbitare il Tempo-International Exhibition of Interior Design Decoration Verona, Italy; Biennale International Design 2000, Saint Etienne, France. In 2000-2001, the department showed the design of industry-academy cooperation in CeBIT show in Hanover, Germany, the design was published in “On/Off: New Electronic Products” published by the Universe Press. S.C.I.D. was also the co-organizers of' Pu-Tong Summit Conference on Industrial Design 'Shanghai, with East China Normal University, Shanghai, and Hong Kong Polytech University in 2001. In June 2001, S.C.I.D. was invited to participate in Design Show held by Tsinghua University, Beijing. In 2002, S.C.I.D. participated in three exhibitions in China: the National ID Exhibition held by University of Science and Technology Beijing, the Center Industrial Design Exhibition in Hunan and Qingdao International Design Festival in Shandong. In 2003, the design of S.C.I.D. were reported on 'Dream Design' magazine, Japan. In 2004 S.C.I.D. was invited to exhibit design projects in 'Tokyo Designer’s Week' in Japan. In 2005, the department was invited to show the design projects in 'Salone Internazional Del Mobile 2005: 8th Salone Satellite' in Milan, Italy. S.C.I.D. was also invited to present design curriculum in '2005 AG Ideas International Design Forum' in Melbourne, Australia and reported on 'Desktop' magazine, as well as the 2007 Milan International Furniture Fair 'That’s Design-Zona Tortona' and the 2007 'Maison & Objet' in Paris, France. In 2008, S.C.I.D. is the first university of Taiwan participated “Rhein Design Festival” in Köln. In 2009, invited exhibition in Osaka Arts University; 2010, invited exhibition in Shin-Pun-Kan Arts Gallery by Seika University, Kyoto; 2011, invited exhibition in de sign de museum, Nakanoshima, Osaka and 1st International Design Alliance Congress Exhibition, Taipei; 2013~2014 in Product Design Madrid, 2015 in International Furniture Fair & ASEAN Furniture Show Singapore, 2016 in D'Days Paris. These series activities lead to the understanding of international media, and thus reported on “Dream Design”( Japan), “JIDA hotline news”( Japan) , “Business Week”(U.S.) and “items”(Netherlands).
 
In order to improve students' practice experiences, the department has worked with leading enterprises, including Acer, BenQ, Eupa, Umax, Sampo, Sanyang, FET NET, Alcatel , Epson , Genius, Order, Foxconn , HCG and other international businesses. The department also arranged students to have practice training in companies, such as Philips, Eupa, Acer, Nova Design, GE/FITCH, Era Design, BOD Design to name a few. In the mean time, the practical training extends to overseas design-related fields, such as red dot award(Germany), Hasbro(U.S.), Intentionallies(Japan), GRAF(Japan), Eoos Design(Austria), Pilotfish(Germany), Seiko Epson(Japan),Syntax Design(Germany), Design Sojourn(Singapore)…etc.
Students of Graduate Institute of Industrial Design with industrial design background and those who are from other fields are welcomed, so that the variety can be expanded to address the need of total design strategies in the industry. The department also invited professors from different countries and from diverse professions such as psychology, social studies, philosophy, business administration, information science etc. Famous designers and CEOs are invited to provide project advisories, such as Prof. Toshiyuki Kita from Japan, Mr. Frederick Rickmann of Nord Design from Denmark, Prof. Michael Erlhoff and Prof. Uta Brandes from Germany, Prof. Gordon Brue from U.S.A., Prof. Ron Nabarro from Israel,  Prof. Philipp Heidkamp from Germany, Prof. Fritz Frenkler from Germany, Dr. Harald Gruendl of EOOS from Austria, Prof. Tadanori Nagasawa, the President of Musashino Arts University and Prof. Hiroshi Imaizumi from Japan, Prof. Axel Thallemer from Austria, Prof. Tsutomu Hayama, the Vice-President of Kyoto-Seika University and Mr. Michinobu Nonomura , the President of Aura Inc. Co from Japan, Prof. Hartmut Esslinger , founder of FROG Design, Prof. Reinhart Butter from Ohio State University, Marc Nagel and Harm Hogenbirk, founders of Pilotfish Design(Munich/Amsterdam) , Prof. Shin Azumi, founder of a studio(London), and Prof. Matthijs van Dijk, founder of KVD Reframing(Netherlands) , Prof. Gert Trauernicht, Chairperson of Industrial Design Department, University of Wuppertal, Prof. Nicholas Rhodes from UK、Lighting designer Mr. Okayasu Izumi from Japan、Prof. Ulrich Braun及Prof. Erich Schoels from Germany, Prof. Wolfgang Laubersheimer from Germany and founder of Design Sojourn Prof. Brian Ling from Singapore, Prof. Ralph Ball、Visiting Lecturer, College of Design, Hong Kong PolyU Prof. Marko Stanojević from UK , founder of KAIRI EGUCHI DESIGN Kairi Eguchi from Japan、Creative Director, Feel Good Limited/Director, Milk Design limited Lee Chi Wing from Hong Kong、Director / DKA studio + Daniel Koo from Beijing, China…etc.
In 1999, S.C.I.D. was accepted as the educational member of ICSID(International Council of Societies of Industrial Design).
In the ever-changing world, it is imperative for any teaching and learning organization to respond and satisfy the needs of the society and the demands of the industry. It is our belief that only through constant improvement in upgrading our design program and retaining outstanding faculty, can we achieve that goal. After all, in terms of process, education has no bounds and ends; the journey is, in essence, a never-ending one!!